The fact that his wife is there at the end to support him makes this even more of a tragedy and frankly I’m impressed they didn’t go down the road of her wanting nothing to do with him. At first, he wants to hide who he is from his wife, which suggests that on some level he knows that he is doing as wrong but after he is saved by Supergirl and arrested, he doubles down on the Agent Liberty rhetoric. Far more complicated than I originally thought he would be and the nuance Witwer is bringing to the performance makes him even more compelling. The fact that he was wanting to chill out on the Agent Liberty thing at the beginning of the episode because he was getting more legitimate followers on television gave Black forcing him to don the Agent Liberty outfit and eventually outed to the world that much more power.īen is a complicated character. The tension of Black and Ben sitting across from each other was palpable and through those scenes we got to see the many sides of Lockwood as a character. Manchester Black confronting Ben Lockwood was likewise played just right. It’s not explicitly said but I get the feeling that she hasn’t slept in that bed in some time, so the fact that she wasn’t dozing on the couch with her roommate tasked with not letting her sleep for too long said a lot about her as a character without ham-fisted exposition ruining the moment. The scene at the end where she threw the extra pillows off of her bed before climbing in with a smile on her face drove home the point that she had some control over her abilities and was going to get the first good night’s sleep she’s had in some time. She went from being a woman that was afraid of what was happening to her to being confident in her powers. Nicole Maines has been a great addition to the show but seeing her get to develop her powers and pay off her sub-plots, which have been percolating in the background was something I wanted to see two episodes back, but in all honesty that’s me being too much of a whiny fan because the pacing has been spot on with Nia. In terms of developing a storyline, giving us antagonists and villains to sink our teeth into, melding the social commentary with the plot and writing material that allow the actors to stretch and grow, this season has been fantastic and this episode is every reason why.įirst, Nia Nal got some serious screen time. Season 2 was weak, but I think they bounced back last year in a big way. It’s not that the previous seasons were terrible. It’s hard to put into words exactly how much I am enjoying this season of Supergirl. Rating – 5 (out of 5): There was one element of this episode that very nearly knocked it down a grade but what came after was so strong that I forgave that one silly indiscretion. Meanwhile, Manchester Black (guest star David Ajala) pays Ben Lockwood a menacing visit.Īpril Parker Jones (Colonel Lauren Haley) After noticing something is bothering Nia, Kara (Melissa Benoist) enlists Brainy’s (Jesse Rath) help, and the two try to persuade Nia to embrace her destiny. All shows had to have aired at least briefly during an administration to qualify, even if some or most of their run happened under another presidency.Superman Homepage writer Michael Bailey reviews episodes from the “Supergirl” TV series, airing on The CW.Ĭheck out his review of the eighth episode of Season 4 in which Nia (Nicole Maines) has a powerful dream about Agent Liberty (Sam Witwer) but refuses to look at it as a prophetic dream and pushes it aside. These aren’t necessarily the best or most popular shows of each era, but the ones that best reflect either what that presidency was saying about what America was, what was really happening in the country at the time, or something about the man in the Oval Office himself.įor each administration, we chose one representative comedy and one drama presidents who were elected to two terms got two apiece. Kennedy - often referred to as “the first TV president” for his command of the medium - to identify the series that best captured the feeling of each administration. That flashback to a saner, safer version of the world inspired Rolling Stone to look back all the way to John F. The show’s belief in the power of government to make people’s lives better - and, more broadly, in the obligation members of a community (be they friends, family, or, as Ron Swanson once put it, “workplace proximity associates”) have to help one another in times of need - made it the standard-bearer for the hopefulness of the Obama era. Few series in recent memory have been as clearly tied to a moment - and, specifically, a presidential administration - as Parks and Rec. Chief among them was the fact that, even though it was set during the current pandemic, it seemed to be transporting us back to the time in which the comedy originally unfolded. NBC’s recent Parks and Recreation quarantine special was a delight for a variety of reasons.
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